Makhadzi too to social media to share news

FOR IMMEDIATE RELEASE

Makhadzi Acquires Royal Heritage Festival and Announces Powerful Collaboration with “The Road to One Woman Show”

Limpopo, South Africa — In a groundbreaking move for the South African entertainment industry, cultural icon and global performer Makhadzi has officially acquired a 50% stake in the Royal Heritage Festival, a landmark cultural event that celebrates the vibrancy and heritage of Limpopo. In an equally historic turn, Royal also acquires 50% of Makhadzi’s much-loved “One Woman Show” brand, marking a powerful exchange of ownership between two influential forces in the South African entertainment scene.

This unique collaboration sets the stage for an electrifying partnership as the Royal Heritage Festival and Makhadzi’s “Road to One Woman Show” national tour unite, creating an unrivaled cultural experience for fans across the country. Their first show together as partners will take place in April 2025, signaling the beginning of a new era in South African entertainment, where music, culture, and heritage blend seamlessly to create unforgettable experiences.

“I grew up dreaming of standing on that stage. Today, I’m honoured to say I now own the stage,” said Makhadzi. “This partnership with Royal is a dream come true. The Royal Heritage Festival has always been more than just an event—it’s a symbol of who we are as a people. This next chapter will be bigger, bolder, and more inclusive, as we take both the Royal Heritage Festival and my One Woman Show to new heights.”

For media inquiries, bookings, or partnership opportunities:
Name: Mothapo P
Email: infomakhadzientertainment.co.za
Phone: 082 446 0252
Socials: makhadzimuimbi | RoyalHeritageFest | #RoyalHeritageFestival #RoadToOneWomanShow

Ntsiki Mazwai Issues Public Apology Following Controversial Remarks

Poet and activist Ntsiki Mazwai has issued a formal apology for her recent comments, which sparked speculation among her followers. While she did not explicitly mention names, many believe her statement is directed at Arts and Culture Minister Gayton McKenzie and media personality Unathi Nkayi, following her criticism of the government-funded trip to Cuba.

In her apology, released on Wednesday, February 19, Mazwai acknowledged that her words may have caused “unnecessary harm and confusion.” She admitted that while her intent was to express frustration, she now realizes that her comments could have been misinterpreted or deemed inappropriate.

“I also recognize the need to be more thoughtful and responsible when discussing sensitive matters, especially when it involves public figures and important industry processes,” Mazwai stated.

The apology follows days of heated online debates, with some calling out her remarks as reckless, while others defended her right to voice her opinions.

Full Apology Statement by Ntsiki Mazwai:

APOLOGY FOR RECENT POST
WEDNESDAY 19 FEBRUARY

“I would like to sincerely apologise for my recent post. Upon further consideration, I realise that the comments made were not only inappropriate but may have caused unnecessary harm and confusion. While the intention was to express frustration, I understand that such statements can be misinterpreted or damaging, and for that, I apologise.

“I also recognise the need to be more thoughtful and responsible when discussing sensitive matters, especially when it involves public figures and important industry processes. Moving forward, I will ensure that my comments are more measured and respectful.”

“Once again, I apologise for any offence caused and will work to be more mindful in the future. Thank you for your understanding.”

Miss Nontsikelelo Mazwai

The big question now is: Will this apology be enough to settle the controversy? Or will Mazwai’s outspoken nature continue to challenge the status quo?

#NtsikiMazwai #PublicApology #GaytonMcKenzie #Unathi #CubaTrip

Tyla vs. Shebeshxt: Fans Clash Over Nike Endorsement Deal

Social media is on fire as a heated debate erupts over Nike’s latest endorsement deal with Tyla. While many are celebrating the “Water” hitmaker’s huge achievement, others believe that Shebeshxt—one of the most talked-about artists in South Africa right now—was more deserving of the deal.

The Debate: Tyla vs. Shebeshxt

Tyla’s global success and growing influence in the music industry have made her a perfect fit for international brand deals. With a Grammy win, chart-topping hits, and a strong fashion presence, her partnership with Nike seems like a natural move. However, some fans argue that Shebeshxt has had a bigger cultural impact locally, resonating deeply with grassroots supporters in South Africa.

Shebeshxt’s supporters claim that he embodies the authentic street culture and raw energy that Nike often ******* ociates itself with, making him the ideal candidate for a deal. His influence in the Kasi and his unfiltered, rebellious style align with the “Just Do It” spirit that Nike represents.

Social Media Reactions

The debate has split fans into two camps:
🔥 Team Tyla – Argues that her international reach, polished brand, and global appeal make her the obvious choice.
🔥 Team Shebeshxt – Believes Nike should have embraced a more local, streetwise artist who represents the real SA hustle.

One user tweeted: “Tyla is big internationally, but Shebeshxt is the people’s champ. Nike should have picked him to keep it real!”

Another countered: “Tyla is the future. She’s putting SA on the map globally. The Nike deal makes perfect sense.”

What’s Next?

With Shebeshxt’s rising influence, could another major brand step in and give him a deal that matches his street appeal? Will Nike address the controversy? One thing is for sure—the Shebe vs. Tyla debate is far from over, and both artists continue to make serious waves in their own lanes.

What do you think? Did Nike make the right choice, or should they have picked Shebeshxt?

#Tyla #Nike #Shebeshxt #Shebexhit #SAMA #Endorsement

Metro CMG: Pioneering the Evolution of Urban Soundscapes

In the dynamic world of South African hip-hop, Metro CMG has emerged as a transformative figure, blending hard-hitting street narratives with innovative soundscapes. His unique fusion of gritty realism and melodic experimentation has solidified his position as a leading voice in the evolving urban music scene. Whether you’re a die-hard fan of underground rap or someone drawn to genre-bending artistry, Metro CMG represents a movement that resonates with diverse audiences across the globe.

The Rise of Metro CMG

Metro CMG’s journey in the music industry wasn’t an overnight success. Like many artists navigating the complex landscape of hip-hop, he built his reputation from the ground up—starting with grassroots performances, local collaborations, and leveraging digital platforms to reach a broader audience. His authenticity, coupled with strategic use of social media, helped cultivate a loyal fanbase that appreciates his raw, unfiltered storytelling.

While the name “CMG” is often linked to the broader hip-hop umbrella (Collective Music Group), Metro CMG has carved out his own distinct identity. Drawing influences from trap, drill, classic boom-bap, and the vibrant sounds of Venrap (Venda rap), he encapsulates the essence of urban culture, reflecting both the struggles and triumphs of city life.

Musical Style and Influence

Metro CMG’s sound is a fusion of gritty street anthems and melodic hooks. His production often features heavy basslines, crisp hi-hats, and atmospheric synths, creating a cinematic vibe that’s both immersive and thought-provoking. Lyrically, he explores themes like ambition, street life, perseverance, and the complexities of urban existence.

His influences span both local and global icons—from hip-hop legends like Tupac Shakur and Nas to contemporary artists like Young Dolph and 21 Savage. Additionally, the vibrant South African hip-hop scene, particularly Venrap, has played a significant role in shaping his musical identity. This blend of global and local influences gives Metro CMG a versatile edge, allowing him to experiment with different styles while maintaining a consistent brand.

Discography and Notable Projects

Metro CMG’s discography is a testament to his growth and versatility as an artist. His projects reflect personal experiences, societal themes, and his evolution within the hip-hop industry.

Rita Dee Nephawe is a prominent figure in the South African entertainment industry, particularly within the Venda music scene. As the founder and owner of Rita Dee Entertainment, based in Thohoyandou, she has been instrumental in artist management, events coordination, and promoting Venda culture through music. 

Over the years, Rita Dee has managed and collaborated with various artists, contributing significantly to their careers and the broader music landscape. Her dedication to nurturing talent and organizing events has solidified her reputation as a key player in the industry.

Beyond her professional endeavors, Rita Dee actively shares insights and updates on her social media platforms. On Facebook, she engages with a substantial following, offering glimpses into her projects and personal reflections.  Her Instagram account also showcases moments from her journey, highlighting her role as a leading figure in Venrap music. 

In her own words, Rita Dee emphasizes the importance of authenticity and self-acceptance, stating, “Standing in your authenticity and power requires you to be very comfortable in your divine design and validity — regardless of how you are received.” 

For those interested in learning more about her perspective on Venda culture and her contributions to the music industry, an insightful interview is available on her YouTube channel.

Mizi President SA Hip Hop once wrote
Raising The Next Generation

As hip hop artists and active headz, were not just here to have fun and drop records, were here to raise the next generation... Hip hop culture is the single most infivential youth sub-culture worldwide. I is the mos powerful way to communicate with young, people worldwide, In fry experience, the young adults of today have been raised by their parents or guardians, extended family, reachers as well as uncles Chuck D, Rakim, RZA and Snoop, not forgetting big, brothers Pac, Big, Canibus, MI, Stick Man and the POC family. Depending on your tate of course, it could have been Snoop who taught you the difference between a lady and a... well you figure it out. Chuck D may have opened your eyes to the teachings of Malcolm X and Steve Biko. For those who were old enough. POC got you standing in line to vote in "94 and helped you celebrate victory over the oppressor. Canibus trained your mind to become a sharper, more lethal weapon while Rakim gave you the confidence to say "here I am." ld like to speak to the big name artists for a change. To a lot of kids watching TV. listening to radio, copping your albums, seeing you on the scene and reading these articles... you are their heroes. They look up to you and want to be just like you. You have a responsibility to positively inspire them. They walk, talk, rap and dress like you, and subscribe to everything you subscribe to because you are opinion leaders. As much as clothing labels become popular to them through your endorsement, your lifestyle become desirable to them.

To the many of you setting a good example, keep it going, but to those of you who aren't. please check yourself. To the fans and aspiring artists... especially the younger generation - stay in school, stay away from drugs, stay focused and please take only the positive aspects of the culare. Hip hop culture is about knowledge of self, attaining a high level of awareness, teaching, learning and giving back to your community. It's about bringing about positive change and passing these values on to the next generation of headz.

As hip hop, we have always spoken about the positive and negative equally, in order to educate ourselves and others about the realities we face in our communities. We are a thinking people, and the single most influential youth sub-culture worldwide. Right now, this drug problem is decaying our minds and eroding what has been built by our pioneers. Come on! Keep your head up! This is more just music. And we are more than just producers, rappers, graf artists, b-boys. beat boxers and Djs, we're the leaders of a generation, and we are here to help raise the next generation. I was raised by my parents, extended family and teachers, but there were certain lessons that couldn't be taught in school and at home, and which were taught to me by the music. Let's keep this in mind and keep it moving, Peace.

Miziyonke wakaMtshali, iHlabangan elimhlophe Niengamas ovutshwe Ngochobeni, Magale! Agase Niengengonyama, Magalela Ngokugaler Umuzi Wendoda, Mantshinga Lonsele, Khandlo, Gebisa, Vezi, Miambo, Ndob'osetsheni, Nduno. Miz President, SA Hip Hop Editor, HYPE Magazine

2010 hype magazine

PROKID - THE SAGA CONTINUES
I always like to be the guy that doesn't imitate

How has the response been for the new track?

The response has been great so far. I re- ceived a funny tweet saying "I don't know why people are going crazy over the track. Cuz Pro never disappoints. (Laughs). When I was reading it, I was like "aaaah, what is this guy saying?"

What was the idea behind the "new flow"?

It was just to show a bit of versatility you know? I was stepping out of the comfort zone. It was a bit of a challenge though.

Tell us about the album "Continual"

The ******* le of the album was inspired by a conversation I had with my grandfather. I didn't even know he was involved in exile. So we were just there just chilling and talking about giving a new and balanced sound that doesn't really segregate or put any other genre on the other side of the mar- gin. I'm messing with house/bounce beats and doing songs with Spikiri and even some tunes for the ladies. So it's a nice all-round album that is moving on to the next level.

Do you feel any pressure from the new gen- eration of rappers coming out?

Not really because my music is my culture and my religion. It's my lifestyle. I always like to be the guy that doesn't imitate.

Where do you want to see hip hop going and where is it in reality?

Currently, the people that have something in their heads when it comes to Hip Hop like AKA, Cashtime FAM, Khuli Chana, are doing something. We created our little society of our own be not forcing anything down people's throats. We're trying to bring the money and attract the corporate, Teargas, AMA Kip Kip and even with myself doing Fish Eagle. We're doing Miller tours to Mi- ami but at least we've got the corporate on board. It's not like before when we were knocking on doors and hustling for our own buses and sound. Now we act as mediators between the guys with the product and the message they trying to put out there. Every time we interact, numbers double and triple. At first it was farfetched now it's
lifting and upgrading.

Has that generation of rappers of yourself, Skwatta and Selwyn stuck together over time?

The cool thing about our era is that we never looked down on anyone who was doing it. Maybe there was a handful that had an issue within Kwaito but no one can deny that was our sound. We never showed any level of disrespect and we always bowed down to those big dudes that had been in the industry before. They're our mentors and reference. The youngsters don't want to listen (laughs) so we're trying to consti- tute it in that manner. We tell them if you want act stupid, sharp but eventually the big boys call us and ask"What do you think
of this boy?" So we always got to polist them anyway.

Do you ever feel that Kwaito IS hip hop, with the relationship being so strong?

There are a few Kwaito acts that have managed to branch out. It's funny be- cause •their saying "eeish... We should have" it's unfortunate because hip hop is attitude you know? So when we came with that attitude, they thought it was towards everybody. Until we started visiting the Gallo studios for the chill sessions and they realized we were cool. It was like Birdman doing things 18 years ago with Juvenile and then coming back with Wayne. Now it's all one big family. The head of the house has all the knowledge you need so you need a guru like that. So it's nice to see us all come together.

What goals do you want to achieve and accomplish as a musician and now, as o businessman?

My highlight would be me starting my own establishment for me and the gents to say "This our little trust fund". With that, we can create opportunity for youngsters who are starting out. I personally never finish a proj- ect without finding at least ONE new pro- ducer. That's why we positioned our busi- ness strategy the way we have. You must seek talent and admire it, mentor it, record it, then take it to the public. Those that are interested will know that once I reach that level, l'm sure someone is going to holler. So we can't keep hip hop to ourselves.

How is Red ******* on doing under your wing?

He's making money (laughs). He's a good example of someone who works and is serious. He is producing and writing for house music vocalists. There is a growth and it's at God's speed. Guys used to go to him for just a verse, now they go for. everything.

Is there anything else you would like try out as a musician?

Music wise, I'm done for now. The album is out sp it's just me promoting. Everything else is just ground work. I'm trying more to be the man on the ground and do work- shops as well as motivate. As rappers we often come off as a myth, whereby we are nowhere to be found. Every now and then we have to go back and show guys that it's real. Without our people, there is no support.

DRESSED BY: CROSSOVER
WRITTEN MOKOENA THABO
BY: PHOTOGRAPHY: SIFISO.M
PG 31>> Ispeak hip hop >> Cover Story:

Makhadzi Questions South African Fans Amidst Chris Brown Ticket Frenzy

In a bold move that has sparked conversation across social media and music circles alike, international award winner Ndivhudzannyi Ralivhona, famously known as Makhadzi, has voiced her frustration regarding the recent ticket sales for Chris Brown’s upcoming concert in South Africa. As fans scramble to secure their spots for the much-anticipated event, Makhadzi is calling out the disparity in support she received for her own shows.

Last week, excitement reached fever pitch when Big Concerts announced that tickets for Chris Brown's concert—scheduled for just two days from now—had sold out rapidly. The demand was so high that an additional date was added to accommodate eager fans. In stark contrast, Makhadzi expressed her disappointment over the apparent lack of enthusiasm from South Africans for her own highly-promoted one-woman show set for December 21 at the Peter Mokaba Stadium in Limpopo.

In an emotional outpouring on social media, Makhadzi posted, “South Africa ke movie so nna i must take 10 years to sell out Peter Mokaba stadium. Chris Brown lamofa, you are giving him two hours. Yoo Lenalede tshele! Gale bona batho lena lebo hyper nyana shem.” With this message, the singer highlighted her frustration that fans were quick to support an international artist while her local endeavors remained underappreciated.

For those unfamiliar with the vibrant artist, Makhadzi is not just another face in the crowd; she is a powerhouse in the South African music scene. Known for her infectious energy and unique sound, she has captured the hearts of many with her impressive performances and chart-topping hits. Her previous one-woman shows have been monumental successes, proving her capability to draw crowds and deliver unforgettable experiences.

This year, Makhadzi is riding the wave of momentum brought by her latest album, Miracle Child, which dropped just days ago. The album stands as a testament to her growth as an artist; featuring collaborations with renowned figures like gospel star Lebo Sekgobela, music producer Master KG, and amapiano queen Nkosazana Daughter, it showcases not only her versatility but also her commitment to expanding her musical horizons.

With 21 songs penned solely by her, Miracle Child reflects her personal journey, embodying the struggles and triumphs that have shaped her artistic identity. In discussing the album, she expressed gratitude for her progress, saying, “I’ve seen God taking me from the ground and elevating me to another level. It has been a long, challenging, yet fulfilling journey. I can only grow from here.”

While Chris Brown’s ticket sales spike is undoubtedly exciting, Makhadzi's plea invites fans to introspect about their support for local artists. In a world where global stars often overshadow homegrown talent, Makhadzi's comments resonate with many who believe it is essential to uplift and support local musicians striving for greatness.

As December approaches, will South Africans rally behind Makhadzi and show their worth by filling Peter Mokaba Stadium? As she continues to break boundaries in the industry, it’s high time that fans channel their energy towards appreciating the remarkable talent blossoming in their own backyard.

In conclusion, Makhadzi’s passionate outcry serves as a reminder of the importance of supporting local artists. The concert season presents an opportunity for fans to engage with their culture and celebrate the music that represents their heritage. Here’s hoping that when December 21 arrives, Makhadzi’s fans will turn out in full force, proving that home is where the heart—and the crowd—truly is.

🚨🚨Step into the heart of urban culture at NEWTOWN MARKET—a vibrant blend of thrift stalls, sneaker resellers, and vinyl traders. Unearth rare finds, snag vintage kicks, and groove to classic beats as you explore over 40 thrift stalls, 10 sneaker traders, and 10 vinyl collectors.

This is more than just a market—it's an experience. Come early, because the best finds won't last long.🚨🚨

12 October, 2PM - 11PM

GET YOUR TICKETS

🎟️ https://shorturl.at/8vwv7 🎟️

Stand chance to go watch Legendry Kwaito star Thebe on stage

How it works:

1. Buy Butan Gear ONLINE for R1500 and get 1 of 50 general admission tickets!!

ALSO...

2. Shop for R2500 or more - get a GA ticket AND stand a chance to win a Cloud VIP Experience for you and 3 friends! 😎

🤌🏾

Competition closes 4th October. 🎯

Winners will be announced the 5th of October!!! 💸

LET'S GO!!! 🚀🚀🚀

Happy Shopping!! 🛍

#heedthecall #victoryiscertain #alutacontinua #competition #backtothecityfestival #bttc #hiphop #culture #viral #fyp #onlineshopping #onlinecompetition

Rapper Kwesta is set to make his acting debut alongside the queen of SA dance Bontle Modiselle on PIANO LOVE, an unforgettable Amapiano love story, from the vibrant streets of Soweto to the world proudly brought to us by Black Brain Pictures.

It premieres on the 23rd of August on Netflix.

From the vibrant streets of Soweto to the world, Black Brain Pictures brings you an unforgettable Amapiano love story.

Strarring none other than SA hip hop legend Kwesta, in his acting debut, and the queen of SA dance, Bontle Modiselle, #PianoLove promises to be a captivating thrill ride as we watch young love blossom against all odds.

If you love South African music and dance culture, this one is for you!

Piano Love is coming this August, exclusively on Netflix. #PianoLove #Kwesta #BontleModiselle #Netflix”